rockcritics.com

Archive for September, 2007

Ben Fong-Torres on YouTube (1972)

Posted by s woods on September 17, 2007

Ben Fong-Torres talks about the origins and circulation figures of Rolling Stone magazine, circa 1972. Scintillating stuff. (No idea where this is from–some Danish TV documentary?)

Watch here…

Posted in YouTubes | 5 Comments »

HarpMagazine(.com) on RockCritics.com

Posted by s woods on September 16, 2007

Fred Mills in Harp profiles the quickly-progressing revamp thing-a-ma-jig taking place around here. There’s a great interview with A.C. about the site and her involvement in it, and Fred’s profile of rockcritics is very flattering–by far the kindest and the lengthiest (and it should therefore go without saying, the wisest) thing anyone’s ever said about us in print. Now let’s hope we make good on all these campaign promises.

Speaking of which, we have our first new rockcritics 2.0 interview going up early this week (you’ll have to check back to find out who it is…), plus a few other interviews currently in the works. So stay tuned and be sure to tell two friends.

Posted in Interviews, Links, News | Leave a Comment »

Yesterday With John Swain

Posted by A.C. Rhodes on September 16, 2007

Folks who lived in North Carolina during the pre-glory days of college rock and beyond, will remember John Swain of The Record Hole in Raleigh. The man who exemplified the classic record collector is shown here moving about the boxes of discs, talking with fellow buyers and sellers. Psst.. dig the kid in the Scientists t-shirt. Whatever became of him?

Posted in YouTubes | Leave a Comment »

Rockcritics Bookshelf: The Rock and Roll Reader’s Guide

Posted by s woods on September 15, 2007

The Rock and Roll Reader’s Guide: A Comprehensive Guide to Books by & About Musicians and their Music

Gary Krebs

Here’s a music reference book I don’t look at all that often, but which I’m grateful to own. I picked it up on a trip to New York several years ago, at which time I was not even aware that it existed (if I hadn’t found it during that trip, I’m pretty sure I’d still be unaware of its presence). Published by Billboard Books ten years ago, it is, as per its title, a reference guide to books on popular music. In a way it’s like the Christgau’s Record Guide of rock reads. Now, I admit that it’s thus far the only book about music books I’ve even heard of, but if there are others out there, I’d be hard pressed to believe that they’re anywhere near this extensive or well-organized. I don’t see a head count anywhere of how many books are actually reviewed, but the thing is 411 pages long, so I’ll take a stab and say there are probably around 4,000 reviews, and hundreds of other titles listed. The range of books covered is also commendably broad. I’ve yet to come across any serious omissions (in terms of the artists covered), and if one of the parameters of a useful “guide” type of book is the number of one-shots and weirdos and obscurities covered, Krebs catalog doesn’t disappoint: Pantera, Wolfman Jack, La Toya Jackson, Kansas, Deacon Blue, and Debby Boone all warrant their own sub-sections.

Read the rest of this entry »

Posted in Scott's Bookshelf | Leave a Comment »

David Edelstein Interview

Posted by s woods on September 14, 2007

Great recent interview with movie critic David Edelstein by Paul Morton in Bookslut.

Sample:

Natural Born Killers. I couldn’t even sit there while it was going on. I got up and walked around the back of the theater. I was so upset. I didn’t want to leave because I felt like I had to see the whole thing if I was going to denounce it. And I was going out with this girl at the time and she said to me [in a whiny voice], “I don’t understand. The Godfather was violent.” And that’s how I knew I wasn’t going to end up with that woman. Anybody who could dismiss my horror, my physical visceral fury at Natural Born Killers by saying, “The Godfather is violent.” No, there were plenty of reasons why we broke up. That and the fact that when we saw The Lady Eve, my favorite movie, she says, “I don’t get it. It’s not so good.” Also, she was bored by McCabe and Mrs. Miller. Three strikes.

(See also Aaron Aradillas’s 2005 interview with Edelstein in rockcritics.com)

Posted in Interviews, Movie Critics | 1 Comment »

Right Up There With Oscar

Posted by s woods on September 14, 2007

Came across a bizarre reference to rockcritics.com today on, of all places, Roger Ebert’s website (in regards to, of all people, the guy who plays Deuce Bigalow):

[Rob] Schneider retaliated [to a bad review] by attacking [critic Patrick] Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind … Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers.”

Reading this, I was about to observe that Schneider can dish it out but he can’t take it. Then I found he’s not so good at dishing it out, either. I went online and found that Patrick Goldstein has won a National Headliner Award, a Los Angeles Press Club Award, a RockCritics.com award [my emphasis], and the Publicists’ Guild award for lifetime achievement.

Say what? Huh?? Strangely enough, I wasn’t even invited to the ceremony for this gala event. Got me to thinking, though: if there was in fact a rockcritics.com awards show:

  • who would host it?
  • what would the categories be?
  • who would be the winners?

Thoughts? Suggestions?

Posted in Blabbin', Links, Movie Critics | 3 Comments »

People Are Still Having Fights About Rock Critics

Posted by s woods on September 14, 2007

The Rockologist: On Becoming A Rock Critic

I’ll need to rely on someone else here to tell me if this is a worthwhile read… I’ve kind of been scared off pieces with this premise (“how to”) for a few years now. The comments section looks pretty lively, though.

Posted in Blabbin', Links | 1 Comment »

It’s Only Words (and Words Are All I Have)

Posted by s woods on September 12, 2007

Via the Music Press Report

Words that hit the wrong note

“Just how ‘edgy’ ‘brave’ and ‘dark’ can modern pop music be? It’s time to put a stop to lazy music journalism.” (From The Guardian blog… the comments section is pretty fun, and pretty silly.)

Posted in News | 6 Comments »

Bonus Question

Posted by A.C. Rhodes on September 11, 2007

Has your writing or level of motivation changed in the past five or six years? If so, why or how?

Posted in Question of the Week | 2 Comments »

Question of the Week: Why Do You Hate Me?

Posted by A.C. Rhodes on September 11, 2007

 I am he as you are he as you are me and we are all together. So why do many writers barely mask schadenfreude when another fails?

Posted in Question of the Week | 6 Comments »

Link of the Week: Neil Young Covers

Posted by s woods on September 10, 2007

There are obsessive projects and there are obsessive projects: my friend Phil Dellio’s latest Neil Young project would fall into the latter category. “Purple Words on a Grey Background: Four Decades of Neil Young Covers” is Phil’s A-Z rundown of Neil Young songs as performed by other artists… times 277! The piece started today in Stylus, and continues through the rest of the week (today’s entry ends at the ‘D’ section with “Danger Bird”).

Sample (from the “Cortez the Killer” roundup):

“The prize here, though, goes to the Byrds’, a live version taken from the not very well regarded reunion LP they put out in 1973. I’ve never heard the whole album, just the two Neil covers (cf. ‘[See the Sky] About to Rain’ below), but to me you’ve got the real Byrds, all five of them together, intersecting with an emerging colossus who shares both their strangeness and their brilliance. It’s Einstein and Freud, walking together on the beach, and I’m very grateful to learn that such a meeting took place. “

Great stuff–looking forward to reading the rest.

Posted in Links | Leave a Comment »

Kogan megamix

Posted by s woods on September 9, 2007

As an addendum to my 1997 interview with Frank Kogan, I’ve posted an 11-minute audio collage [mp3 format] of Frank, mixed in with various girl group songs (the latter being about as much as you get in terms of “context,” which is to say there’s really no context provided at all).

You can download this incredible megamix via the interview itself. (This may be a limited time offer, so grab it soon.)

Posted in Uncategorized | Leave a Comment »

Hip-hop 2007: File under “Obits”?

Posted by s woods on September 9, 2007

On the eve of a transparently orchestrated retail showdown this coming Tuesday that pits a new release from Kanye West against a new release from 50 Cent, the mainstream media as of late have upped the volume on the chorus to that old classic, “Hip-hop is dying.” To wit:

I’ve yet to see any major publication refute these claims, but I’ll keep my eyes open for one.

Posted in News | Leave a Comment »

Interview with jazz critic Greg Thomas

Posted by s woods on September 9, 2007

An interesting recent piece brought to my attention by Daniel Garrett: An Interview with Greg Thomas: On Culture and Canons, On Jazz and Being an African-American Male – A lengthy back and forth in Compulsive Reader with critic Thomas.

Sample: “I don’t use the phrases ‘high art’ and ‘low art.’ Fine art, pop art, and folk art have more utility as academic, pedagogical distinctions among various genres and levels within an art form. But it’s inaccurate to think of these analytical frameworks as totally separate. Each feeds into the other, and we usually start with the most basic–the folk level, for instance the blues. Popular connotes widespread reception by the public, and, last, the fine art level is produced by masters of an idiom, who, to paraphrase Albert Murray, extend, elaborate and refine the folk and pop levels into masterpieces. Here are two examples of fine art musical masterpieces: one, Whitney Houston’s fantastic version of the ‘Star Spangled Banner’ at the 1991 Super Bowl during the Persian Gulf War, and Donny Hathaway’s interpretation of ‘For All We Know’ from Roberta Flack and Donny Hathaway. I’m moved every time I hear these. I mention these two examples outside of the realm of jazz–which is a fine art–to indicate that masterpieces can be found in other musical genres too.”

Posted in Interviews | 1 Comment »

R. Meltzer on YouTube

Posted by s woods on September 8, 2007

With Vom! “I’m in Love With Your Mom.” (Who knew he was such a good dancer?)

Posted in Richard Meltzer, YouTubes | 1 Comment »

 
Follow

Get every new post delivered to your Inbox.