This French new wave track from 1981 is decent enough, I suppose (they’re no Stinky Toys), but the video’s fantastic for its colourful backdrop, which consists entirely of images from one of my all-time favourite music books (memorably described in a 2004 article by Nick Coleman as “the pornography of rock” as well as its “stained glass window”).
Gregory Stephen Tate and a dozen others salute Tom Terrell in this week’s Village Voice, a great tribute to a writer and DJ I confess to being barely familiar with before the announcement of his death last week.
“Tom also threw the absolute best D.C. house parties back in the day, affairs eagerly awaited and renowned among men and dogs for their hot fusion of wine, weed, women, and song. Like me, Tom left DJing (and concert production) to scribe in New York: a natural transition, except Tom went on to also do, as he had in D.C., just about every job you could do in the music business without singing, strumming, and dancing. Not just promotion, marketing, and a&r, but tour managing (for Steel Pulse) and rigging lights 50 feet in the air above outdoor stages, too.”
Bart Bull has a blog, entitled Bart Bull, with lots of reprints of his stuff from Spin and Details. Two interesting notes on his sidebar: 1) he claims to have “founded first American xeroxpunk fanzine, Browbeat, in 1977″ (is this true? was it really the first?); and 2) he generously quotes an unnamed Creem writer who once called him, “The only great rock writer to emerge in the ’80s.”
Luc Sante has a blog called Pinakothek, “A blog about pictures. All kinds of pictures.” (“I won’t pretend to specialize or present myself as an expert in anything. Subjectivity is my middle name, a trick memory is my pack mule, and self-contradiction is my trusty old jackknife.”) Also, read this interview with Sante, about his recent (brilliant) collection of essays, Kill All Your Darlings.