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America’s Only…

Bill Holdship on Creem: The 12″ Mega-Awesome Extend-o Remix

Posted by s woods on January 16, 2008

Sour CREEM
The life, death and strange resurrection of America’s only rock ‘n’ roll magazine: the first of two parts

By Bill Holdship (Metro Times)

This is the mammoth Creem piece Bill mentioned he was working on a few weeks back in his blog entry. Excellent stuff–great summation of the ‘zine’s formative years (though I wish there was a little more about contributors other than Bangs), and it ends with a zinger… can’t wait for part two.

Posted in Creem | 10 Comments »

Fun Facts About Robert Matheu

Posted by A.C. Rhodes on January 5, 2008

Sabbra Cadabra, thou art Creemed at Cobo. Bob Matheu's very first photo in Creem, taken by Charlie Auringer for the June '72 issue. The cross was not his to bare.
  • Bob Matheu’s first photo for Creem was of Lou Reed & Mitch Ryder.
  • Matheu blew off hooking up with Sting and company at a recent opening of Trudy Styler’s spa in Paris to stay home with his kids and, presumably, wife. This, despite having once shared a bar of soap with Stingy and DiMartino at Menjo’s.
  • Ever the Renaissance man, he loves the Kaiser Chiefs and the Sights and is friends with Cheap Trick and The Romantics.
  • He claims that the first Creem issue that really took off (regionally) was the one with Grand Funk Railroad gracing the cover, making Homer Simpson’s assertion somewhat true. On e-Bay it can fetch $400, easy. It’s not all that, though.
  • Matheu attended the renowned Detroit west-side roadhouse show where Iggy was punched out by an anonymous avenger. Many claim to have been that actor.
  • The MC5 played his high school, Cody. He didn’t see them, as it was 1967.
  • Through genuine connections he was part of an underground syndicate of MC5, Sonic Rendezvous, and Patti Smith board tape and demo collectors. Did he share any via the net or even with friends? Not on your life.
  • Matheu was producer and photographer for the Sonic’s Rendezvous Band box set released on UK legacy label Easy Action in 2006. The six CDs consist of mostly unheard music.
  • Matheu was one half of the regionally celebrated Detroit punk rock duo, Rape ‘n’ Pillage. Their only gig was a 45 minute rendition of “I Get Around.” Brian Wilson left the beach again upon hearing the bootleg.
  • During a photo session with the Red Hot Chili Pepper circa Blood Sugar Sex Magic, after requesting that the band pose nude for the last set up, Flea insisted that the photographer be naked as well. He’s enjoyed getting naked at all photo sessions since, though Iggy has asked many times that he not.
  • No stranger to wandering boot-heels, Bob Dylan once commented on Matheu’s cowboy boots. However they were at the foot of his bed in the room he was sharing with Stan Lynch at the first Farm Aid. “Nice boots Stan, looks like you got lucky last night,” were Zimmy’s exact words. This, again, shows him secure enough in his manhood.
  • Behind the scenes editors at Harper-Collins wouldn’t approve R. Crumb’s Mr. Dreemwhip cover. Something about it being suggestive to the point of sexist. The drips.

Posted in Creem | 1 Comment »

Almost Infamous – Robert Matheu and the Big Book of Creem, Part II

Posted by A.C. Rhodes on January 3, 2008

Matheu snaps Hynde through the mirror, brightly.

AR: Tell me about the book. How did the idea first come about?

RM: No brainer, it was never not an idea. So many tried to do it over the years. I’m not saying that I was the right person, but the only one to get it done. After we started the website archive and then the new era Creem, the readers never stopped asking for it. Since Brian and I had spent so much time with the old issues over the last four years, we knew what was good and where to go. Greg Allen, our art director, had been working with us on the website as well, so it came together pretty fast. We only had three weeks for the first submission, then for corrections, proofing, etc. In that time I went to Rod Stewart, Alice Cooper, and Iggy Pop for their color comments, we’d add those while Harper Collins was doing test runs on the photos and proofing. And I’ve told the story how I, or how Brian Bowe found me…

AR: When did you meet him?

RM: He started writing via the website; little emails about what he was into, sensibilities and musical taste, that kind of thing. His love of the MC5 and all things related encouraged me to re-embrace my Detroit music roots as well. So, he started doing some reviews for the website. Richard Riegel and Dave DiMartino were always touchstones with the website archive, the direction we should be taking it, that kind of thing. I asked them how we were going to find the next editor. They both had the same take as Brian began to write more, saying how they enjoyed his work – kind of casting their votes without knowing it. Brian in turn brought some fine new young blood in, writers that he had in his class at Grand Valley. So, his expertise would be from being a journalism professor, working at a couple of newspapers and editing the Creem website the past four years. By any means, the way that Brian got involved was, as we say, very blowjobian. Creem brought Brian out to Coachella the year the Stooges reformed. I gave him my extra photo pass and a camera and took him into the pit to see the Stooges up close. While waiting for them to start, I told him how we thought that he should be the first editor of Creem in its new life. The Stooges tore into “Loose” and that was that.

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Posted in Creem, Interviews, Zines | 1 Comment »

Almost Infamous – Robert Matheu and the Big Book of Creem, Part I.

Posted by A.C. Rhodes on December 19, 2007

Matheu snaps Hynde through the mirror, darkly.

Robert Matheu is pretty excited about his book release, CREEM: America’s Only Rock ‘N’ Roll Magazine. In fact it’s all he can talk, or e-mail, about. It isn’t a session with one of the hundreds of musicians he’s photographed before. No, this time it’s all about the book he just finished with a little help from some of his old, and new, friends.

Starting out like many of his Creem compatriots, an impressionable young music enthusiast from Michigan, Matheu instead used photos for words, providing the visuals for many an infamous caption. While Creem was known for using many photographers, it was he who remained most affixed to the magazine, later being a guiding force in the 1980s after his move to the West coast. Leafing through back pages (often literally), it can be great fun to try to spot all the photos. This game will be slightly easier with the book.

AR: What was your first introduction to Creem?

RM: In my early teens, growing up on the West side of Detroit – and that was actually the hard part when I was writing the outro to the book – remembering the bookstore at the corner of my street. Thankfully, my brother didn’t do as many drugs as I did over the years and he actually remembered. I didn’t really start reading it until ’71. I had a lot of friends, older friends, but I think of our lot, I was the first to discover Creem. They sold it at the corner store on my street and at that time had an adult section. It was displayed right on the rack next to Al Goldstein’s legendary Screw Magazine because the name had the weird spelling with the double e; it was kind of misconstrued as being some sort of soft core porn magazine.

Richard Siegel, who is what I refer to as on of the founding fathers, actually used that to their advantage in the early days because from what I understand of all the stories I heard from Rick and Charlie Auringer, they pretty much when they got the paper done, when it was still the double-fold newspaper, everyone had had their duties – almost like a paper route – taking it around to different stores that they actually went to.

Creem was like the only one that appealed to our sensibilities because even though Rolling Stone was around it was very much, you know, they wrote about the Jefferson Airplane and Grateful Dead, which wasn’t necessarily the stuff we were seeing in Detroit. It was much more originally a local magazine. I think that’s what Tony Reay meant, when we first hooked up and started talking about the website, he said that was his original vision; we were supposed to be about the local scene. It was such a beautiful time and Detroit was such a different city, but it was like CKLW being what it was and WKNR, it was all about Motown, which is why I could never relate to Rolling Stone.

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Posted in Creem, Interviews | 3 Comments »

Creem NY Observer follow-up piece

Posted by s woods on December 3, 2007

The New York Observer does a follow-up piece on the Creem debacle, focusing more on Marsh’s, Whitall’s, et al. battles with the ‘zines legacy (and less on the lawsuit).

Seems to me there’s an underlying, more interesting battle going on here–a sideshow to Matheu vs. the Creem critics–that being seventies Creemsters vs. eighties Creemsters (witness Whitall’s comment: “‘John Mellencamp?’ she said with incredulity. ‘He’s in there. Come on! He’s so un-Creem. Also, Duran Duran? I mean, what?’”)

Posted in Creem, Dave Marsh | 3 Comments »

The Creem Dreem is over?

Posted by s woods on November 28, 2007

A couple weeks back, I was thrilled to receive my copy of the gigantic, gorgeously designed Creem anthology. Still haven’t read ANY of it, to be honest (that’s one thing about coffee table books that look great–they’re not especially conducive to delving in and spending time with; who wants to mess up all those lovely pages?), but a few perusals through the thing once the initial shock wore off and my excitement level dropped somewhat. For starters, as a few people mentioned in this ILM thread, the bulk of the book’s content is devoted to artist profiles, which, while certainly in the Creemspeak tradition, are probably the thing I was hoping to see the least of–certainly not as the bulk of the package. As “xhuxk” notes in that thread, it’s cool to see in there things like “Stars Cars” and “Backstage” and “Creem Dreem” reprints, but the book seems sadly lacking in record and book reviews (in fact, I don’t think there are any–I’d love to own a whole book of Creem record reviews, come to think of it). Also, the selection of writers and feature subjects just seems a little scattershot, occasionally making me wonder, “why is this here?” (Though, let’s be fair, no collection could satisfy everyone, and omissions are  both understandable and fully to be expected. That’s a tribute to the mag itself, the fact that a true “best of” could never be captured in a single anthology).

Anyway, I was (and am) still happy to own the thing, and there is some great stuff in there, but how much of it I’ll actually get around to reading… not a lot, I suspect. The mags themselves are always close by. (God forbid we should have a fire, the Creem stash will be the first detour on the way out the door–after my wife of course.)

Well, the story, as it turns out, is a lot more complicated.

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Posted in Creem, Dave Marsh, News | 3 Comments »

New Creem Anthology… Boy Howdy indeed!

Posted by s woods on October 30, 2007

Just had my Amazon order of the new Creem anthology delivered to me at work. Don’t want to say too much about it yet (as I’ve owned it for all of 120 seconds–literally–and also because we have more full-fledged Creem content on the way in the weeks ahead), but… Holy Crap! This is NOT what I expected at all.

What I Expected: A pocket-size collection of various Creem reprints from the seventies.

What It Is: A mammoth, hardcover coffee table-size collection, incredibly and gorgeously designed, with reprints from across the entire history of the ‘zine, many (or maybe all) in their original format. All sorts of feature length stuff, all sorts of the random screwing-around that made Creem the greatest ‘zine ever. So many of my favourite writers are in it, too, of course.

Publishing event of the year–no question about it. Based on weight and design, at least. I’m in heaven right now.

rockcritics editor has heart attack on the spot 

Posted in Creem | 24 Comments »

 
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