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The Critical Economy (correspondence from Richard Riegel)

Posted by s woods on December 7, 2011

Richard Riegel writes:

“I’m really impressed with Jennifer Szalai’s review of a collection of Dwight Macdonald’s criticism, in the December 12 issue of The Nation, the paper version of which I still subscribe to. It’s a good discussion about Macdonald himself, and his concepts of ‘Midcult’ and ‘Masscult,’ but Szalai’s comments about the current state of criticism are even better for our purposes. She’s talking about literary criticism, of course, but a lot of what she says applies to rock criticism & its fade too. I’d been thinking all along that ‘we’ were being hollowed out by the general economic decline, and that’s exactly what Szalai says here, especially in the two paragraphs I’ve excerpted below:

If one were to point out that the wider authority of literary criticism is barely discernible today, one could hardly be accused of courting a controversy or kicking up a fuss. There certainly is a coterie of Americans for whom literature and its criticism is a matter of urgency or livelihood or both, but the notion of the literary critic as a cultural gatekeeper, whose judgments shape tastes and move units, sounds either fanciful or anachronistic, depending on whether you believe that such a creature ever really existed. Our culture is now so big and so varied, the population so diverse and so fragmented, that the very idea of anything or anyone having “wider authority” sounds silly, if not absurd.

The critical landscape has since been denuded of a whole class of reviewers — the professional critics for those many newspapers and magazines that have cut down their books pages or else eliminated them. Optimists have pointed to the proliferation of online reviews as an indication that criticism is flourishing, but the payment for most reviewing these days is meager to nil. When writing a review becomes a diversion instead of a vocation, or else an arena for book authors to horse-trade and log-roll—the literary world’s penurious equivalent of the financial world’s “revolving door” — then reviewing will list toward clubbiness, bitterness or mushy praise. There are clearly some brilliant exceptions, and even a few determined critics who make a living from reviewing; but like the society of which it is one minuscule part, criticism has largely become a winner-take-all profession. Those who wonder what happened to criticism should wonder what happened to the economics of it.

Posted in Economics, Links, What's Wrong with Rock Criticism? | 10 Comments »

How the Drum Machine Changed Pop Music

Posted by s woods on November 21, 2011

Enjoyed William Weir’s perspective on There’s a Riot Goin’ On (in Slate), specifically in regards to how critical the employment of (newly emerging) automated rhythm tracks were to that album’s overall aesthetic.

Groundbreaking though it was, the drum machine’s emergence in the early 1970s didn’t make a lot of waves — largely because listeners didn’t know what they were hearing. To modern ears, these early machines sound crude; it’s hard to believe anyone could mistake them with flesh-and-blood drumming. But as JJ Cale told Mojo magazine: “The deal is, in those days people didn’t know about it, so they didn’t realize what it was.”

Why is every thing ultimately at its most interesting before it becomes a “thing”? (cf. McLuhan’s idea of “effects preceding causes.”)

Posted in Links | 2 Comments »

Susan Whitall interview (part 2)

Posted by s woods on October 26, 2011

Part 2 of the Susan Whitall interview by Paula Yoo at Music Monday

Yes things have gotten better for female journalists, because of the changes in the broader culture. When I got out of college, in the mid-’70s mind you, scratching to get an ad writing job at an ad agency, the guy hiring actually said these words: ‘We start all our girls in the secretarial pool.’ I mean, right out of ‘Mad Men’!

Luckily I didn’t do that, but found Creem and caught on there. And fortunately, some of our male editors early on — Dave Marsh and Lester Bangs, particularly — were staunch feminists. Today there also isn’t the ever-present fear we had, of being mistaken for groupies. Today I think young women feel free enough, that it’s not a problem if they were taken for party girls. But we were very conscious of wanting to be seen as professionals, not girls looking for a good time. Thus when romantic liasons happened, it was pretty much kept on the down low (laugh)

(Link to part 1)

Posted in Interviews, Links | Leave a Comment »

Occupy Rock Criticism (ORC), II

Posted by s woods on October 21, 2011

Ann Powers, 21st Century Protest Music: Will There Be Another Dylan? Should There Be?: “Mostly, though, the music of Occupy Wall Street has been generated not by known performers or even people who necessarily call themselves ‘artists.’ It’s emerged from the cloud that’s spread on the ground. The same 21st-century style organizers who’ve been holding twice-daily meetings to come to consensus, privileging process over a set of clear objectives, are engaging in the kind of culture-making that dominates the Tumblr-loving, home recording-making, music industry-scorning future thinkers taking pop into its next phase.”

Greg Tate, Top Ten Reasons Why So Few Blackfolk Appear Down To Occupy Wall Street: “The sudden realization by OWS-ers that American elites never signed the social contract and will sell the people out for a fat cat’s dime — hey, no newsflash over here. Blackfolk got wise to The Game back in 1865 when we realized neither 40 acres nor mule would be forthcoming. Also, as one sharp strapping ready for whatever you got youngblood recently put it, ‘I aint about to go get arrested with some muhfuhkuhs who just figured out yesterday that this shit ain’t right.’”

Charles M. Young, 13 Ways to Look at the Occupation of Wall Street: “The Ad Hoc Caucus of Non-Male Identified Individuals wanted help writing a letter to Stephen Colbert, who had done a report that focused on a Non-Male Identified Individual who was in a state of disrobe while protesting Wall Street on the sidewalk. The report featured only interviews with Male Identified Individuals commenting on the naked Non-Male Identified Individual. The Ad Hoc Caucus of Non-Male Identified Individuals wanted Colbert to rectify this imbalance. Male Bodied Individuals, who were not wholly Male Identified, were welcome at the meeting of the Ad Hoc Caucus of Non-Male Identified Individuals.”

Daphne Carr, I am an amplifier: “We’d been there about 15 minutes and it was his [Carr's friend Chris's] first time to an OWS space. He was delighted to see that the scene was more punk than it seemed on the news. As a veterans of ’90s hardcore, we agreed that there was a distinct Punk Planet vibe, as if the beloved zine had returned as slogans on cardboard or duct tape rather than perfect bound. It made me want to do a subculture decoder ring for mainstream media: can’t they see those ‘hippies’ are all radical punks and conscious hip-hop kids? Not all dreads are the same.”

Posted in Links, Politics | Leave a Comment »

Occupy Rock Criticism (ORC), I

Posted by s woods on October 20, 2011

Various rock critics grappling with the “Occupy” protests and/or the state of political/economic life in general.

Frank Kogan, Getting people all in one place is amazingly hard: “I feel a bit hypocritical for not getting involved, since I’m the one who strenuously insists that the major flaw of my musicwrite world is its unwillingness to focus and follow through: that the people in it don’t know how to sustain an intellectual conversation and are totally unable to comprehend the need to persist on a topic, return to unanswered questions, develop rudimentary thoughts, work to understand someone’s ideas, communicate their own, etc. Not that I expect anyone at Occupy Denver to do better or accomplish much of anything. But I doubt they’ll do any harm. And as Mark [Sinker?] said in WMS #13, getting people all in one place is amazingly hard, much less with at least the illusion of moving all in one direction, and persisting. So I may drop by, today or tomorrow, just to see.”
[This is followed in the comments box by Frank's report after dropping by: "Went for a couple of hours. Loved it..." Read the rest.]

Dave Marsh, Who’s Demonizing Who?: “Does President Obama believe that more than 30 months of supporting the Wall Street ownership class justifies his putting words in Dr. Martin Luther King’s mouth? On what basis does he arrogate to himself the right to sideswipe an entirely non-violent movement to curry sympathy — or even empathy — for the Wall Street scoundrels who occupy so many posts in his cabinet?”

Tom Hull, Down and Out at the DMV: “One reason I see this resembling the 1960s is that when you think about it you’ll realize that the new left won the culture wars back then: civil rights, getting out of Vietnam, abolishing the draft, women’s liberation (everything from abortion to equal pay), clean air and water, consumer protection. The problem was that we didn’t build the institutional framework to consolidate power to protect (and extend) those gains — but one key reason that didn’t happen was that we distrusted and never grew comfortable with power. So we left the rich too rich and the military-security state too well dug in — the bases for the right’s counterrevolution — and we lost focus and, at least for a while, just lapsed and enjoyed the better world we had made.”

Tom Smucker lands his mug in “Faces of Occupy Wall Street” at Think Progress: “We just came down to handout flyers since at Verizon, union employees in the northeast are bargaining a new contract with Verizon. So we’re here to support these people and hoping these people will support us. [...] The issue of there being a fair economy is obviously very important to union members right now. And we all feel that there is now pressure on union members and working people in general to accept less when it’s clear that there’s another set of people who aren’t accepting less.”

Greil Marcus, Revolution in Amerika? at Zeit Online. Um, given that this be in German, you might prefer to read this (somewhat spotty, I’m guessing) English translation at the blog, I’m Gonna Call You Fluffy instead: “I don’t know who organized the protests against Wall Street, whether hidden motives are behind it and whether groups such as the pseudo-left fascistic ‘International A.N.S.W.E.R.’ have a hand in it. I don’t know either what’s supposed to happen, if anything concrete is demanded. It’s obviously not a spontaneous outbreak of frustration. After all, considering what gives rise to frustration in America — which is pretty much everything — the protests pose the question: Why only just now and why here? I find it hard to believe that the demonstrations pose as a left parallel to the Tea-Party-Movement, as some honourable liberal commentators suggest. The Tea Party Movement has been started by anti-governmental Ayn-Rand-Worshippers, celebrating the hegemony of the corporations, and was rapidly monopolized by the unofficial money machines of the GOP, in order to be hierarchically structured and funded by right-wing billionaires.”

… And of course, the inevitable NYT piece about pop music’s inability to communicate any sort of coherent, unified message about these events as they unfold in real time, a piece, I swear, I come across at least once every three or four years.

(Looking for more intersections, interjections, etc.)

Posted in Links, Politics | Leave a Comment »

Tull vs. the Critics

Posted by s woods on October 19, 2011

A few months ago I posted a little diversion on Genesis and the critics (in particular, regarding Christgau). I guess my boredom has reached an apex today, because I’ve been wading my way through a similar message board, this time with Tull fans having at the critics, including Bangs, Marsh, et al. You could read worse things today, I suppose, but anyway, it takes me back to when I was 14 or 15, feeling my way through the armfuls of new wave records — good and bad, great and terrible — I was starting to became an avid consumer of, and being struck by an Ian Anderson quote in Creem (I think he was on the cover, I think Simon Frith wrote the piece), wherein he professed an interest in… Ian Dury. For some reason, that connection resonated strongly at the time — I just spent hours thinking about it; how odd and yet how perfect — and there hasn’t been a time since when I’ve thought about Ian Dury that I haven’t also thought about Jethro Tull and vice versa. (And for the record, I grew up in a household with a certain brother obsessed with JT for many years, and I can still name half a dozen tunes by them I like a lot.)

Posted in Links | 3 Comments »

Rolling Stone: Why Don’t I Love You Anymore?

Posted by s woods on October 3, 2011

A pretty interesting perspective on RS by Martha Nichols, an early reader.

RS has long been criticized for its boomer music sensibility and cluelessness about race and gender. I was a feminist in the ’70s, and while that’s not why I read Rolling Stone, it’s ultimately why I got tired of it. That essentially male voice is so relentlessly sure it’s right, that it knows the best albums and the best songs of a decade — or a generation — but The Voice will never cop to being influenced by personal preference or (worse) industry hype.

From the vantage point of three decades gone by, I know that tastes in pop music change, listeners get older, we enter different life phases — and start receiving solicitations from AARP. But even in 1984, when I had that subscription to Rolling Stone and was reading the first installments of Tom Wolfe’s The Bonfire of the Vanities, I felt my interest draining away.

Posted in Links, Zines | 3 Comments »

Pet Shop Boys Headline Watch

Posted by s woods on October 3, 2011

Not as classic as Drudge, necessarily. Still…

Posted in Links | Leave a Comment »

Chuck Eddy Triptych

Posted by s woods on September 30, 2011

A twin feature from the Los Angeles Review of Books: King of the Contrarians: Josh Langhoff introduces Chuck Eddy, the man with more voice per square inch than any other rock critic, and Michaelangelo Matos finds out what makes him tick.

Also, in PopMatters: Chuck Eddy Will Piss You Off with ‘Rock and Roll Always Forgets’ by W. Scott Poole

Posted in Book (P)reviews, Chuck Eddy, Interviews, Links | 1 Comment »

What is Pop Music?

Posted by s woods on September 16, 2011

Quote:

When you begin to think of Pop music as a product rather than a genre, the rocktivist argument makes a lot more sense. Art critics could write reviews of the output of graphic design firms, but usually they leave that task to Ad Week.

This piece does nothing to answer the question, “What is pop music?” but it does introduce a new word into the lexicon: “rocktivist”!

Posted in Links | 1 Comment »

What Jazz Musicians Expect From Music Critics

Posted by s woods on September 16, 2011

Beginnings of a survey at Open Sky Jazz. More interesting than I would have expected.

Posted in Links | Leave a Comment »

Sentence of the Day

Posted by s woods on September 15, 2011

I’m intrigued by a sentence written by Jonah Weiner in Slate today, referring to hip-hop’s “identity crisis” towards the end of the ’90s:

“And the fact that dusty old vinyl samples — particularly soul and jazz loops, intimately tied to black music’s past — were losing ground to glossier, colder synthesizers was alienating.”

As someone who has followed sampling history with a fairly keen interest since the mid-80s, it’s kind of incredible to see this technology employed in a precise reversal of how it has been employed for so many years previous. This is sampling posited not as the fake, anyone-can-do-it party line, but rather, sampling as the genuine article, the real deal.

Posted in Links | Leave a Comment »

Origins of Genres

Posted by s woods on September 5, 2011

Genre busting: the origin of music categories

Where did the terms retro-nuevo and skronk originate? Or hip-hop? Michaelangelo Matos (in the Guardian) runs through an exhaustive catalogue of music’s phrasemakers and trendsetters

Posted in Links | Leave a Comment »

Interior Reactions

Posted by s woods on September 5, 2011

Alexa Weinstein puts the “i” in music writing:

When I’m reading rock criticism, I am always looking for this — the personal take, the individual passionate reaction — and it’s very hard to find. But I think this is because the assumed audience of rock criticism is the rock & roll version of my dad. The reader who just wants to know what happened in the game and not what I was thinking when I was watching it is the same as the reader who just wants the facts about a band: where they’re from, what their basic biographies are, how to categorize them according to various genres, what the critical consensus is on their quality, and how many albums they are selling. I feel much less embattled about this than I used to. Some people care more about getting information, which is legitimate, and other people care more about interior reactions to information, which is equally legitimate (but, I would argue, less valued in our culture). Each of us falls somewhere on this spectrum, and we bounce all around it, depending on the context and the subject. I may be unusual in my strong and wide-ranging preference for interior reactions to information over the information itself, but I’m not entirely alone in the world, and I don’t even think I’m all that weird.

The entire piece is well worth reading.

Posted in Blabbin', Links | Leave a Comment »

Today’s Critical Listen

Posted by s woods on August 10, 2011

Frank Zappa playing guest DJ with Tom Donahue in 1968 on KPFA. Good banter in here about doo-wop amongst other things.

Posted in Links, Podcast | Leave a Comment »

 
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