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Archive for the ‘Richard Meltzer’ Category

Surfin’ Bird

Posted by s woods on July 22, 2011

You know, if I’d taken more time to think of better questions when I interviewed Richard Meltzer back in 2000, I’d almost certainly have asked him, “Why did you open The Aesthetics of Rock with the lyrics of ‘Surfin’ Bird’?” I’ve since, and often, hypothesized about this very thing:

1) he liked the song
2) it came on the radio one evening while he was stoned out of his gourd and working on the text, and — hey, why the hell not?
3) it was his way of insisting on the relevance-equivalence of crudity-profundity (i.e., you’ll understand Bob Dylan much better if you also understand the Trashmen, and vice versa) (though I think what Meltzer does is take it further than Trashmen-Dylan, he goes Trashmen-Plato)
4) it’s a (p)review of what follows, “Well-a everybody’s heard” suggesting the already past-tenseness of the moment Meltzer’s trying to summon forth, and providing a nice setup for his own first self-penned sentence in the book, “This is a sequel…”

Today, I can add a fifth “what-if” to the pile. In “Along Comes Maybe,” his editorial in the fourth (1966, month unknown) issue of Crawdaddy!*, Paul Williams writes: “Nobody used to take rock ‘n’ roll very seriously. The newsmagazines would get a kick out of printing the lyrics to ‘Surfin’ Bird,’ the fans would debate over who was greater, Elvis or Fabian (who?), the deejays would play any record that was backed up by the old payola, and the listeners would be only too happy to run out and buy it…” Hmm, was RM’s printing of the lyrics to “Surfin’ Bird” perhaps his way of turning the tables on Williams’s words, to begin to collapse altogether the distinctions Williams is (implicitly) insisting on (i.e., setting up a serious vs. trivial divide rather than collusion)? In other words, to set up a counter-argument with Williams (his first publisher) by suggesting that those “newsmagazines” were pointing to something worth taking seriously — inadvertently, of course, maybe even counter-intuitively, which makes it no less true — by splashing Trashmen lyrics across their pages? Maybe, maybe not. Coming across that sentence, though, in the very least, it struck me as a highly interesting coincidence (and my instincts tell me it wasn’t one, hence my reason for this babble in the first place).

* Highly recommended: The Crawdaddy! Book, a compendium of the earliest issues of that ‘zine.

Posted in Blabbin', Richard Meltzer | 1 Comment »

Meltzer’s Night at the Opera

Posted by s woods on June 30, 2011

In this brief review of the Ellen Willis anthology, Brian Joseph Davis writes:

“When Richard Meltzer, a one-time student of Allan Krapow, invented rock criticism as an art prank — applying the jargon of aesthetics usually reserved for the Met Opera to a review of The White Album –— he was only half joking. The serious part of his game, that pop music was a legitimate art, had enough legs to move on and alter critical discourse within a few years.”

The White Album reference is off — the dozens of pages RM devotes to the Beatles in The Aesthetics of Rock are decidedly (and crucially, I would argue) pre-White Album — but that’s a fairly minor quibble. The line that jumps out at me is, “applying the jargon of aesthetics usually reserved for the Met Opera.” Wow — really? I don’t know the first thing about opera or classical criticism, from the ’60s or any other time frame, but my guess is that the language such criticism is steeped in is about as far removed from The Aesthetics of Rock as you can possibly get. I mean, maybe there’s opera criticism that throws in a lot of references to philosophy or something — maybe that’s what Davis is getting at? Even so — I’d be very hard-pressed to believe that there’s any sort of connection there. It’s not that Meltzer (of all people) didn’t believe rock couldn’t hold up to the scrutiny of opera, but rather, that he knew rock had already by that point (mid-60s) traveled light years past opera, in terms of scope, ambition, awesomeness, triviality, etc. and etc. I’ve never ever gotten the sense that the hyper-inflated constantly-cancelling-itself-out language employed by Meltzer in any of his early criticism had any precedent — well, anywhere, really (or anyway, no clear precedent — he didn’t emerge out of nothing, obviously, and maybe his roots are the beats?).

Posted in Book (P)reviews, Richard Meltzer | 6 Comments »

More Books About Buildings

Posted by s woods on June 10, 2011

Woah, did a little more scouring around after my last comments-reply (here), and found this:

Reading L.A.: Richard Meltzer tracks down the ugly (Christopher Hawthorne, Los Angeles Times)

Sample:

“There’s a seen-it-all informality to the writing, and an impatient, galloping pace — Meltzer’s gift for inventing new contractions is impressive — but his task here is, well, nothing short of monumental: To take on the whole massive cityscape of Los Angeles, with its ‘displays of florid vanity’ and its long boulevards stuffed with misguided attempts at one kind of period revival or another. One of the best entries here, on an office building in the Miracle Mile, has a first sentence that could stand alone on the page: ‘And then there’s neo-Tudor.’”

Someone bring this book back in print now! (Mind you, I still haven’t read the golf quickie I own by R.M., though I’m proud to have it on my shelf.)

Posted in Book (P)reviews, Links, Richard Meltzer | Leave a Comment »

How Do You Talk About Music, Anyway?

Posted by s woods on June 1, 2011

“The whole analysis-of-music bit sort of calls for the use of a pack of words to tack onto a pack of sounds juxtaposed with another pack of words. Every creep who has ever bothered with that has to groove on how silly, in the good sense, the whole operation has to be. How do you talk about music, anyway, particularly when…”
- Richard Meltzer, The Aesthetics of Rock, 1970 (more here)

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Richard Meltzer in Horror House on Highway 5

Posted by s woods on August 31, 2009

Who knew? The guy acted in his spare time. Someone was excellent enough to upload a clip to YouTube.

Posted in Richard Meltzer, YouTubes | 1 Comment »

This Month In Rock Writing: May

Posted by A.C. Rhodes on May 26, 2008

Noise Boys Richard Meltzer ( May 10th, 1945 ) & John Mendelsohn ( May 12th, 1948 ) are born, much to the future delight & scorn of musicians & editors.

On May 30th 1956, Time Magazine, while trying to convey Elvis Presley’s appeal, busts it down to the lowest common denominator saying that, “his movements suggest, in a word, sex.”

Jerry Lee Lewis is booed off the stage and shooed out of England, two days after revealing his marriage to cousin Myra, May 25th 1958, introducing just how scathing the Brit press can be.
 
In a stunning twist on May 27th, 1962, Mr. Acker Bilk becomes the first British artist to have a number one record in the U.S. when his wistful clarinet instrumental “Stranger On The Shore” topped the charts.

On May 25th, 1966 when Ike & Tina Turner’s ‘River Deep, Mountain High’ stalls at #88 on the Billboard charts, producer Phil Spector deems it the low point in his career and goes reclusive for two years, that is if you don’t count his speeding over to a deceased Lenny Bruce’s house the following August screaming, “Lenny, why did you do it, Lenny?”

In May of ’74, Nick Kent’s, The Page Memoirs, hit print in Creem Magazine. An obvious contrast to the subsequent attempt by Jaan Uhelszki, Page actually talks at length, but somehow leaves out the part about underage girls in his history.

Bob Dylan, rather uncharacteristically, talks at length about life after conversion with interviewer Karen Hughs for the May 2nd, 1980 issue of the Village Voice, thus continuing another two years of him leaving the stage mid-concert with only the gospel back up chorus singing for 10 minutes. In between it all he confesses that, “Jim Keltner and Tim Drummond are the best rhythm section that God ever invented”.

In May, 1985, Madonna graces the first cover of Spin Magazine, obviously foretelling that nothing can change the shape of things to come.

Chuck Eddy’s Beastie Boys interview hits print in ’87; disclosing how the merry trio helped themselves into his motel room, drenching him with ice water while he laid in bed, sleeping presumably, at 2am.

Posted in Richard Meltzer, This Month In Rock Writing | 5 Comments »

Scott’s Bookshelf, Part 6

Posted by s woods on March 29, 2008

Trudging along with this feature, ever so slowly…

36. Songs They Never Play on the Radio: Nico, the Last Bohemian (James Young) – Another one in the haven’t-read-it-but-would-like-to pile. From what I gather it’s a tour diary (written by the guy who played keyboards with Nico throughout the ’80s) with many episodes of wanton drug use. Truthfully, not really my idea of a good time. And yet… every review I’ve read suggests that it’s much more intelligent than my no doubt reductive encapsulation suggests.

Read the rest of this entry »

Posted in Greil Marcus, Richard Meltzer, Scott's Bookshelf | 2 Comments »

R. Meltzer on YouTube

Posted by s woods on September 8, 2007

With Vom! “I’m in Love With Your Mom.” (Who knew he was such a good dancer?)

Posted in Richard Meltzer, YouTubes | 1 Comment »

 
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