The New York Observer does a follow-up piece on the Creem debacle, focusing more on Marsh’s, Whitall’s, et al. battles with the ‘zines legacy (and less on the lawsuit).
Seems to me there’s an underlying, more interesting battle going on here–a sideshow to Matheu vs. the Creem critics–that being seventies Creemsters vs. eighties Creemsters (witness Whitall’s comment: “‘John Mellencamp?’ she said with incredulity. ‘He’s in there. Come on! He’s so un-Creem. Also, Duran Duran? I mean, what?'”)