Kellow & Kael (+ Schwartz), VII [updated]

  • Phillip Lopate reviews the bio in Film Comment: “Anyone who has hung around film critic circles will know that narrowing human thinness and provincialism that can set in when there is no other focus but movie talk.”
  • Nick Pinkerton pans the book at Sundance Now blog: “I doubt I would’ve read Kellow’s Kael bio were it not for the fact that I was paid to do so…”
  • Interview with Kellow by Glenn Kenny at Some Came Running: “Her nephew, Bret Wallach, told me that when he was participating in campus demonstrations at Berkeley, she was very much against it. He was stunned because he had always thought of her, I guess, as rebellious Aunt Pauline, constantly giving the finger to the establishment. But she was not in favor of anything that was going to lead you to a point of alienation or isolation. She wanted to be in it. In the vortex, at the vortex.”
  • Jill Krementz covers a celebration of Pauline Kael (Krementz photographed Kael often during the seventies, and many of her photos are featured in Kellow’s book.)
  • Bronx Banter interview with Sanford Schwartz, editor of The Age of Movies: Selected Writings of Pauline Kael: “Kael made reading movie reviews a more intimate and personal experience than it had ever been before. Little criticism of any kind conveyed a comparable sense of there being such a powerful, funny, opinionated, scarily shrewd, and common sensical voice there, talking to you. You wanted to know what she thought about everything. You don’t feel this with most journalists, whether they are reviewing an art of doing a political column.” (Link also includes a number of PK quotes from various interviews and some cool scans.)
  • Reflections on Pauline Kael, by Steve Vineberg (Critics at Large): “Kellow’s misreading gets in the way when he tries to psychoanalyze Kael through her reviews — a temptation that probably no biographer of a writer could resist, but perhaps particularly misguided in this case, since Kael was so nakedly autobiographical in her writing. (It’s unlikely that anyone who confesses that she saw Vittorio De Sica’s devastating Shoeshine after a terrible, unresolvable quarrel with her boyfriend needs to have her judgments examined for hidden motives.)”

One thought on “Kellow & Kael (+ Schwartz), VII [updated]

  1. So I’ve set myself a couple of goals:

    1) A copy of the New Yorker with Kael’s Bonnie and Clyde piece (Oct. 21, 1967):

    2) A copy of the McCalls with her Singing Nun review (April, 1966), which is where she jumped on The Sound of Music:

    Reasonably priced, I mean…cheap.

    Also found what appears to be a Ph.D. thesis on Kael and Sarris:

    Click to access Masteroppgave%20Film%20og%20fjernsynsvitenskap%20v%C3%A5r%202009%20Inge%20Fossen.pdf

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