“On Women Writing About Music”


“Allow me to set a spell in my rocking chair and reminisce about the days when I was coming up in the music writing world. This was the late 1970s, early 1980s. At the time, music writing was truly a boys’ club, with few women I could look to as rock critic role models. Ellen Willis, Ariel Swartley, Janet Maslin. Lisa Robinson and Sylvie Simmons. That’s about it. My mentors and editors in the music writing field were all male. And somehow, even in those prehistoric days, I was never made to feel lesser, stupid, objectified or that my opinions were undervalued. If it were not for Kit Rachlis, Milo Miles, Dave Marsh and Mark Moses, I would not have had a career. They were my champions and they treated me as an equal. Was I just extraordinarily lucky?  Maybe so. It’s depressing that some young women writing about music today feel so unwelcome in the job and the scene that they love, are subjected to more open sexism and flat-out workplace harassment now than I was then. We’ve gone backwards and I don’t know the answer to this problem, except to keep fighting for equality.”

Joyce Millman at her invaluable blog, The Mix Tape


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