– Frank Owen, Spin, Jan 1990 Continue reading Who Wrote the Book?
“There are many substantial reasons for linking disco with bubblegum; the comparisons, endless. Like [Kasenetz and Katz]‘s clapping sound, Euro- and pop-disco are essentially mediums for a producer’s special sound, whereas the performer’s role remains secondary. Disco combines a constant beat with simple lyrics; like bubblegum’s skip-a-rope dynamics, its function is strictly to provide rhythms for people entangles in the exercise of dance. Furthermore, many … Continue reading Disco Bubblegum
The Future of Everything, ca. Jan 1978, Rolling Stone Continue reading Donna Pistols