Sadly, the first new post here in a long time is to acknowledge the death of former Creem editor (and one of the magazine’s second-wave stalwarts) John Kordosh. Iman Labedi writes: “This is a ridiculously sad story to have to write, but my friend and Creem editor John Kordosh passed away suddenly last night, and everyone in my immediate writing circle is devastated by the … Continue reading Remembering John Kordosh of Creem
Sorry to hear about the death of Charles M. Young today. From the Friends of Chuck blog: Today sometime near noon our friend of a lifetime passed away in his hospice room. He was fortunate that his brother John and niece Makita were here for the last five days to spend a great deal of time with him. They came to say good bye to … Continue reading Charles M. Young, 1951-2014
“During the early 1970s, he focused on his stage-management of Andy Warhol’s 1971 London stage production, Pork at Camden’s Roundhouse, Childers recorded the legacy of a theatrical cross over between rock music and gay culture. In 2012 he released a book titled Drag Queens, Rent Boys, Pick Pockets, Junkies, Rockstars and Punks. It featured images of Debbie Harry, Wayne County and Jackie Curtis, as well … Continue reading Leee Black Childers
“Poptimism now not only demands devotion to pop idols; it has instigated an increasingly shrill shouting match with those who might not be equally enamored of pop music. Disliking Taylor Swift or Beyoncé is not just to proffer a musical opinion, but to reveal potential proof of bias. Hardly a week goes by in music-critic land without such accusations flying to and fro.” – Saul … Continue reading On the “Pernicious Rise of Poptimism”
Matt Zoller Seitz mourns the loss and assesses the damage: What really depresses me about Owen’s firing isn’t just that a fine writer got axed from a magazine that he helped define. It’s that the journalism industry, if you can even call it that anymore, is unwilling or unable to support writers like Owen, or Lisa [Schwarzbaum], or… I was about to list other critics … Continue reading On the Firing of Owen Gleiberman from Entertainment Weekly
“Most music lovers are apt to know Mr. Kerman’s work primarily from his incendiary first book, Opera as Drama, published in 1956. Drawing on essays he had written in the late 1940s for the Hudson Review, the book proposed a simple yet radical view of opera: that it is the composer whose vision above all shapes the dramatic essence of a work. “Mr. Kerman elaborated … Continue reading Joseph Kerman
That night, after I interviewed Hoffman, I went back to my hotel room and had a dream about Lester, something that happens with some regularity. In every dream, he isn’t dead, but instead has been hiding out somewhere. Waiting. This time, I asked him where he had been. He told me Florida. “I’ve just been waiting for you to get it right,” he told me. … Continue reading Lester & Philip
