Music Bookshelf: The Rock Yearbook, 1981/82/83

I own three volumes of The Rock Yearbook—1981 (edited by Michael Gross and Maxim Jakubowski), ’82 and ’83 (both edited by Al Clark)—and they are hugely pleasurable reference books. Published in the UK but with near-equal coverage of US pop (and with contributions from American writers), they combine generally thoughtful overviews (many divided into subgenres; “the year in pop music,” electronic, reggae, soul/disco, jazz, etc.), critical essays on a selection of the year’s biggest names, capsule reviews and/or excerpts of dozens of the year’s releases (in the ’81 edition it’s capsules written to order; in ’82/’83 it’s a vastly more entertaining collage of excerpts from various big name UK/US publications), Continue reading “Music Bookshelf: The Rock Yearbook, 1981/82/83”

On Paul Gorman’s ‘Totally Wired: The Rise and Fall of the Music Press’ (review by Vic Perry)

Totally Wired: The Rise and Fall of the Music Press
Paul Gorman
Thames & Hudson, 2022, 384 pages


A history of the era of transient, perishable published objects that when successful were shortly obsessed over by fans before generally being discarded, this book is a highly covetable object built to last: quality binding and paper, sharp typography, mesmerizing dust cover, gorgeous punk color endpapers, 54 illustrations of magazine covers (many in color). Continue reading “On Paul Gorman’s ‘Totally Wired: The Rise and Fall of the Music Press’ (review by Vic Perry)”

The Aesthetics of Prince: Interview with C. Liegh McInnis

C. Liegh McInnis, who hails from Clarksdale, Mississippi, is a poet, critic, author, and educator, and one sizable portion of his life’s work includes expounding on the aesthetics, life, politics, and etcetera-etcetera of Prince. McInnis has written and spoken extensively about the rock/r&b/pop icon—and I do mean extensively. Aside from participating in several informative Prince symposiums and podcasts in recent years (several of which are on YouTube and linked to at the bottom of this interview—I recommend digging in), McInnis’s investigations on the subject also include a 673-page (not a typo) volume entitled The Lyrics of Prince: A Literary Look at a Creative, Musical Poet, Philosopher, and Storyteller. Continue reading “The Aesthetics of Prince: Interview with C. Liegh McInnis”

“Rock Critics as Rock Stars” by Dave Rubin

(I name names (but receive no academy awards))

traitors to the flesh / traitors to the spirit / cultural ambassadors—pontiffs—overlords—Hear Ye! Hear ye! Heed this wacko—the man who walks back and forth in the soaking rain—protected by the sandwich board he wears that cries out—in boldly-lettered paroxysms of despair—REPENT!—but it is too late for that
Continue reading ““Rock Critics as Rock Stars” by Dave Rubin”

Stay Colored: Michael A. Gonzales on Greg Tate

Back in the mid-‘90s I went for an interview with the diversity recruiter at Time magazine. Since he knew my work from Vibe magazine, he obviously thought my writing was too Black when he asked, “Do you think you could write colorless?” Although Time was considered the top echelon of magazines that most writers wanted to be down with, it bothered me that the recruiter thought I’d be so willing to whitewash my work just to be published in their glossy pages. Continue reading “Stay Colored: Michael A. Gonzales on Greg Tate”

Turning the tables: Interview with rockcritics.com’s very own Steven Ward

Happy to welcome back (not that he ever really went away) Steven Ward. In the first several years of this site’s run, Steven conducted roughly 80% of the interviews that were posted here, starting with his great 2000 interview with music critic Paul Nelson (the first most fans of Nelson’s work had heard from the man in over a decade), then following through with (only to name a very select few), J.D. Considine, Anthony DeCurtis, Deborah Frost, John Mendelssohn, and dozens more. Continue reading “Turning the tables: Interview with rockcritics.com’s very own Steven Ward”