“Wenners and Losers”

Jessica Hopper reviews Joe Hagan’s Jann Wenner bio in Bookforum: “Sticky Fingers opens with the sort of scene that becomes its defining feature: Jann Wenner sells someone out, transacting on a relationship for whatever gain could be exacted. We meet Wenner as he is poisoning his friendship with no less than John Lennon, betraying Lennon’s trust for a $40,000 book advance. This is grimglorious rock … Continue reading “Wenners and Losers”

Just Another Rolling Stone Top 500 List?

Well, sort of. Rolling Stone’s 500 Worst Reviews of All Time, a “work in progress” by someone named “schmidtt,” showed up recently on my Facebook feed, and though I instantly assumed it was something I wanted nothing to do with — and it is still something I will not likely ever find time to read in its entirety — it’s not an entirely unenjoyable ride. … Continue reading Just Another Rolling Stone Top 500 List?

From the Archives: Steven Rosen (2003)

Steven Rosen gets his byline on By Steven Ward (September 2003) Veteran rock writer Steven Rosen has been traveling with musicians and profiling them–mostly guitarists–since the early ’70s. He has written for just about every rock publication under the sun. Here, Rosen reflects on five magazines that stand out to him. Rolling Stone Maybe the crowning jewel in my literary kingdom. I pitched them a story on Bad … Continue reading From the Archives: Steven Rosen (2003)

Flipping Channels with Bob

“One of the best music videos of 2013 belongs to a 48-year-old song. The interactive video for Bob Dylan’s ‘Like a Rolling Stone,’ released yesterday, is a tour de force: as the music plays, you can flip between sixteen channels of simulated TV programming. But whether you’re watching a financial news update, a romantic comedy, or a tennis tournament, it looks authentic except that everyone … Continue reading Flipping Channels with Bob

There is little

Critical language has for the most part been borrowed from other fields — few writers have been able to shake their liberal arts educations. The few new terms (tight, together, heavy) are vague and undiscriminating. A rock erudition has been established, and writers talk casually of ‘influences’ and ‘development,’ but it is all very distant. There are more reviewers, whose main function is commercial, than … Continue reading There is little